A Civilising Influence
Sunrise. Milky light spills over the lip of the cave. When it falls on my face I rise. The little one is still sleeping, her fist pressed against her cheek. I watch the dawn, my toes braced against the rock floor, poised above the vertical fall at the mouth of the cave, certain death if you do not know the narrow crumbling path.
A golden mist hangs over the valley, smudging trees and hills, melting into the horizon, many, many days' walk away. Silence, except for the whisper of the wind stirring the leaves in the treetops far below me.
The little one stirs, yawns, stretches her arms and legs. Her hair is thick and golden like the hazy sunlight and falls heavily to her narrow waist. The moon has been made and unmade many times since she came to me.
We eat berries and some of the eggs the little one found yesterday, when I thought she'd left me. Just as I was trying to scent her on the breeze, I heard her call from the top branches of an oak tree. She came back to me then and showed me the eggs. She'd carried them down in the strange white pouch we'd found crumpled on the forest floor when we were hunting.
I was smaller than the little one when Mama went away. I had only just learned which plants to eat and how to snare rabbits. She went to gather food one day and did not return. I waited until nightfall came for the third time, all the while calling and calling for her. Then I was alone. I took care when making a flame as Mama had shown me, for I knew it could burn and destroy as well as warm and give life. When I close my eyes and try to see her now, all I can remember is her eyes, the colour of young leaves, and the smooth river pebbles with holes in them which she had threaded on a strip of hide and tied round her ankle.
On the walls of the cave are many figures. They are those who came before. Now I know they are the same as me, but at first I was not certain as they had shown themselves like sticks with arms and legs. They are hunting big animals that I have never seen and I think they died when the animals went away. At night the stick people would come to me out of the darkness. They whispered to me of sharpening stones to make a killing stick. Then they showed me handpictures deep in the cave where the sun only licks with its tongue before it sinks behind the trees in the valley. I put my palm against the handpictures and saw that my fingers matched with theirs.
Before the little one came to me, I thought I was the last of my type. I watched the animals and plants and saw how they grew and lived together. Only I had no companions. My days were spent gathering food and breaking stones to make sharp edges for killing and cutting open fish or small animals. Bigger animals, those with tusks or claws, I let alone.
I was in the forest collecting roots and plants on one of the days before she came to me. A great crashing tore the silence and many figures burst into the clearing. They had hairy faces, but the rest of their bodies were covered in the flimsy skins of some strange animal, not brown or black but the colours of flowers. In their arms they carried long sticks, but not taken from trees. They were shiny, like light glinting off water.
They made a great roaring when they saw me. For a moment I thought they were they were like me, but then I saw their bodies were straight and hard, so I knew they were not. They circled me, slavering as they come nearer and nearer. I thought they are going to kill me for food and my head and chest pounded as if I had run a great distance. But they threw me down and each one in turn attacked me between the legs. I could not see what weapon they used. Afterwards I was alone and bleeding. I dragged myself back to the cave and slept until long after dawn the next day. When I woke I was weak and there was no water in the cave. It took me a long time to crawl down the path to the stream where I drank and slowly bathed my crushed body.
It came to me that the attack had injured me so badly that my body had become sealed, for I no longer had blood when the new moon came. After many days I noticed my belly was becoming distended. I thought the poisons of my body were gathering there. As my body swelled, I thought I would die, but death did not come, so I continued to hunt and gather food. I got slower as my size increased.
One morning I awoke to find I was lying in a pool of sharp smelling fluid. Then I was in great pain and knew the end was coming soon. I could not lie down, but paced the floor of the cave like a beast. The pain changed and suddenly my body was forcing me to squat down and expel the thing that had been growing inside me. For the first time I thought I might not die. Then, on the ground between my legs was a new creature, still attached to my body with a pulsing, twisted cord. I severed the cord with my teeth and looked at the new creature. It made a mewling sound. I picked it up and cleared away the bloody matter that was lying across its face. Then I realised what it was. Another me. A companion. A little one. I held it to my body and it nuzzled against the soft parts of my chest, its mouth searching. It found what it wanted and sucked fiercely and I was glad.
This was long ago. The moon has been made and unmade many times and I have seen the little one learn to walk upright, to eat the things I bring her and to hunt for herself. She becomes more like me and now begins to take on my shape, bleeding with the full moon as I now do. We are complete.
But now she hunts further and further away from the cave. Sometimes it is nearly dusk when she returns to me and I begin to fear she has gone forever. She brings back things that she finds. The strange white pouch, made from thin shiny stuff. It is big enough to carry two rabbits. On it are marks in many colours, brighter than I have ever seen. It is becoming torn now.
And one day, a thin silvery blade, much finer than I could make out of stone. I think it is made from the same material as the shiny sticks carried by the hairy face creatures. I have sharpened the blade and use it to divide skin from flesh, flesh from bone.
As the sun sinks into the trees, she sits at the mouth of the cave and gazes at the place where the distant line of the forest meets the sky. She scratches crowds of stick figures in the sandy floor of the cave, and presses her hands into the cold fire to blacken them so she can match the handpictures on the walls.
I do not like to go far away from the cave but I am becoming fearful that she will leave me. Then, after many days of her returning after sunset, I follow her into the forest the next morning. We travel further and further from the safety of the cave until I can only follow or be lost. She moves silently, seeming to float over fallen logs and great boulders green with moss. She pauses in a place where the sun cuts through the leaves and lets the warmth flood onto her upturned face. As I stop, crouching behind a tree to conceal myself, my foot dislodges some loose soil to reveal a deep, narrow cleft between two rocks. I manage to throw my weight back onto my other foot just in time to avoid plunging into the crevice. As I look down I see, partly covered with soil and rotted leaves, a round skull and many other bleached white bones. The largest of these are long and straight like those I can feel in my legs. Then I see the lower part of one of the long bones is wedged between two sharp stones. I can see how it has become twisted and smashed with the effort of trying to free it. Scattered on the rocks around it is a rough circle of river smooth pebbles with holes in them. I do not move for a long time. Something inside me that had been silent for a long time begins to cry out in pain.
Then I am aware that the little one has started to move again. She still does not know I am close behind her. Not a bird or animal is startled by us.
She stops by the stream and drinks, then bathes among the swaying weed. I see her trying to catch fish in her hands as I have shown her. I crouch on a stony shelf jutting over the bank. I watch her just below me. She lies among the grass at the edge of the stream, snatching at butterflies, crunching up the ones she catches with her sharp little teeth.
There is another watcher. From where I crouch I can see a figure approaching from upstream. It passes under my hiding place. It is wearing the same thin brightly coloured skins as those others, but its face is not hairy. It does not slaver. The little one springs to her feet and I think she is going to run. But she does not. The other sits a little distance away from her and she slowly squats down again.
The other puts out a hand. In it is something brightly coloured. The little one wants it. Very slowly she approaches on all-fours, her body tensed to spring away. Her hand darts out and the next moment she has snatched the object from the hand of the other and is back in her place.
They watch each other. I watch them. This other could be like us. Then it removes the top part of the brightly coloured skin it is wearing and I see that it is not like us. It has a hard chest and has hidden its hair under the skin it was wearing. It starts to move slowly towards the little one. She does not move.
I lift both arms into the air and use all my strength to smash a heavy rock into the back of its skull. It crumples like the thin white pouch. The little one backs away at first, then comes closer to look at the creature as it lies bleeding. Her hand clutches a string of red and blue stones made of rock as transparent as water.
In the cave after dark, I am planning the best way to remove and carry the meat from such a large creature when we return to the stream the next day. The little one stands at the entrance to the cave, her form black against the light of the full moon. Then she is gone into the night. I watch for her until the sun comes up but she does not return. I wait for her call from the treetops but I do not hear it.
I wait until the day is fully come and then I go down to the stream with the silvery blade. The other is still lying there, too big to have been carried off by any of the night creatures. As I sharpen the blade on a rock, I notice the string of transparent blue and red stones laid on the creature's forehead.
Comments
An intriguing story. I love the various interpretations of..
An intriguing story. I love the various interpretations of nature: the moon being made and unmade, the suns tongue. Good job.
Honestly, when I first began to read, it was alittle..
Honestly, when I first began to read, it was alittle awkward, but after getting past the first paragraph, my own imagination took over and everything was vivid. The only thing is, I wish it was a bit longer, cause I really would have like to know a bit more about her mother and where the "little one" disappeared off too. But then again, I figured it out. Very nice flow and I definally enjoyed the vagueness of the story which makes you really use your mind and create scenery and events that followed. Great Job..
Sandstorm - Chicago, USA
I wouldnt change a thing except to make it into a novel, or..
I wouldnt change a thing except to make it into a novel, or at least a longer story. I love the world you created and would have liked to explore it and the lives within it some more.
I enjoy the first-person point of view, and really think it works best because it helps the readers to BE that person--to observe and think and feel like the character, not just get a description of it all like others were suggesting. And although some might see a conflict between the characters ignorance and the narrators choice of words, well, what can I say? They have no imagination and should not be reading a fictional story. If you had written it in nothing but grunts--what I expect to be the characters native tongue--nobody would have any idea what the story was about.
Your language and description is beautiful! I really love it! "The moon made and unmade itself many times...." Priceless!
Readers, come on! Havent you ever read a story thats been translated to your language (like, say, The Bible?) Please dont comment on creative writing when you cant even appreciate the basic concepts of it. Go read a dictionary or encyclopedia instead. Nothing but fact there--nothing to shake you from the logical, rational prison youve got yourself locked in.
5 stars
i think this is great story. as for other comments i have..
i think this is great story. as for other comments i have read complaing about the grammer and the modern objects i really disagree the story wouldnt be any good without some kind of reality to it. great read =)
A real fascinating read. You stole my imagination. Thanks, Joe
A real fascinating read. You stole my imagination.
Thanks,
Joe
Great story :^)
Great story :^)
Good.
Good.
This story is misunderstood by a lot of the readers here...
This story is misunderstood by a lot of the readers here. Then again it can mean a lot of things. For me it represented the civilization process of a species.
While the mother stayed close to her safety zone "cave" the daughter developed or was born with a curious nature. The mother is more like the creatures that stay behind in the comfort and safety of the trees staying ape-like, while another group broke off and wandered into the plains, where it learned to stand upright and struggle mentally and physically, thus becoming human-like. If each of these women find a mate, and create a group, then meet in 200 yrs or so.. the daughters group would be studying the mothers group.
A few things I tend to agree with are: the reproduction process, surely she has to know something. as least say "and my stomach swelled like a rabbits stomach I once saw." lol
The narration have to stay at one grade level. you jumped from the narration of a 3rd grader to college level and back.
Overall, I loved it.
Overall I loved it
I feel like I need to take time to recover from this story,..
I feel like I need to take time to recover from this story, so powerful is its telling. "A Civilising Influence" portrays a bleak picture of what life could be like if something terrible -- disease, nuclear war, a meteor strike -- happened and wiped out society as we know it. The narrators ignorance of the world and her place in it, her gender, her body, her daughters nature, men (who have lost their any sense of civilization themselves) propels the story along.
I have no doubt that if you were pick through the piece with a fine-toothed comb, you would find some errors, just as nothing produced by humans is truly flawless. But some fiction -- not all, I admit -- should be read like poetry. Read it for the experience. Read it as if you are looking through a window into another landscape. Dont think. Feel first, and then think. And then maybe you can appreciate the brilliance and lyrical beauty of Gaye Jees story.
Id like to read this story again, it has some very powerful..
Id like to read this story again, it has some very powerful concepts in it for a short story, and Im not sure what to make of it.
Always consider the title when trying to determine what the author was trying to achieve. "Civilising influence" certainly refers to the daughter, especially apparent after the last sentence. What exactly was the authors point here? The wild woman raped by modern men, and her offspring is somehow bringing civilization to her home/cave, and inadvertently bringing her mother to civilization (or at least a representative of it).
Really a thought-provoking story.
BTW, dont frustrate yourself trying to figure out what the stones mean.
Very interesting story, reminded me of the Children of the..
Very interesting story, reminded me of the Children of the Earth series which I love. Overall I really liked this story.
Just one question, was the skeleton she found in the pit, the body of her mother?
LeeAnne :)
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This was a fantastic allegory for human emotion, instincts,..
This was a fantastic allegory for human emotion, instincts, and response. The mother, not having a parental figure to raise her past mere survival is left to fend for herself. In the process she is raped, akin to a teenage mother in our day without a strong family unit on her own becoming pregnant in a not-so-pleasant way. Although her maternal instinct is present, her state is forever altered since the encounter which brought her the child in the first place. Her means of coping is to kill her own daughters object of intrigue whether or not he meant her any harm. This could be simplified further as a bad experience with men that causes her to loathe them and never trust them and to further instill the feeling in her daughter.
Enjoyed the story but could not figure out who attacked her..
Enjoyed the story but could not figure out who attacked her between the legs. They are obviously carrying guns and would seem to be soldiers or guerrillas, but they seem to be dressed in Hawaiian shirts with flowers and all, not drab military. Today, any military or paramilitary force seems be be able to come up with a uniform. Even hunters dress in camouflage. Am I missing something?
i agree with the author, it is a hard stretch to take the..
i agree with the author, it is a hard stretch to take the act of copulation, or rape in this case, and connect it with something that happens nine months later, birth. Not sure how the many, many rocket scientists who posted earlier made the connection in their lives, but im sure it would be hard even for the victim to make that connection, which she does in the ineffable human ability to form some kind of logical thread. SOMETHING made her body seal up.
I very much enjoyed this story, but do not read it as some feminist soapbox either, i truly believe it to be an honestly human story. One persons trash is anothers treasure, and so was the mothers experience of otherness compared to the little ones. perhaps the preceding rocket scientists will make the connection that the Mama had a stone bracelet, presumably from the end of the story, from her loving male partner, father of our protagonist. Much like, ..wait for it.., the little one was about to receive from her young male, unviolent, lover. Perhaps, even as life sometimes does this to us, seeing the final resting place of her own mother was supposed to remind her of something. or us as readers.
I thought this story was well told, well constructed, well thought out, and finally, well recived, by me.
the final civilising influence will be when the protagonist puts two and two together and solves the mystery of the origin of the stone bracelets.
oh, and dude, they carried swords, not guns. learn how to comprehend when you read, preferably before you see this. JJOR
it was a very good book even though i didnt read it!!
it was a very good book even though i didnt read it!!
This was a very interesting outlook on life that I would..
This was a very interesting outlook on life that I would never be able to create. Therefore, I admire the author, but I have some questions:
-Does this story take place in the future or past?
-What happens to the little one?
-Could you have imagined what would have happened if her baby had been a boy?
-What did the man by the stream want, to harm or to be friendly?
Beautifully created imagery. Naivity portrayed in such a..
Beautifully created imagery. Naivity portrayed in such a calm tone.
I really enjoyed this story, but feel it slightly unfinished?
Powerful, well written story, but depressing.
Powerful, well written story, but depressing.
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