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The Yellow Wallpaper

It is very seldom that mere ordinary people like John and myself secure ancestral halls for the summer.

A colonial mansion, a hereditary estate, I would say a haunted house, and reach the height of romantic felicity - but that would be asking too much of fate!

Still I will proudly declare that there is something queer about it.

Else, why should it be let so cheaply? And why have stood so long untenanted?

John laughs at me, of course, but one expects that in marriage.

John is practical in the extreme. He has no patience with faith, an intense horror of superstition, and he scoffs openly at any talk of things not to be felt and seen and put down in figures.

John is a physician, and perhaps - (I would not say it to a living soul, of course, but this is dead paper and a great relief to my mind) - perhaps that is one reason I do not get well faster.

You see he does not believe I am sick!

And what can one do?

If a physician of high standing, and one's own husband, assures friends and relatives that there is really nothing the matter with one but temporary nervous depression - a slight hysterical tendency - what is one to do?

My brother is also a physician, and also of high standing, and he says the same thing.

So I take phosphates or phosphites - whichever it is, and tonics, and journeys, and air, and exercise, and am absolutely forbidden to "work" until I am well again.

Personally, I disagree with their ideas.

Personally, I believe that congenial work, with excitement and change, would do me good.

But what is one to do?

I did write for a while in spite of them; but it does exhaust me a good deal - having to be so sly about it, or else meet with heavy opposition.

I sometimes fancy that in my condition if I had less opposition and more society and stimulus - but John says the very worst thing I can do is to think about my condition, and I confess it always makes me feel bad.

So I will let it alone and talk about the house.

The most beautiful place! It is quite alone standing well back from the road, quite three miles from the village. It makes me think of English places that you read about, for there are hedges and walls and gates that lock, and lots of separate little houses for the gardeners and people.

There is a delicious garden! I never saw such a garden - large and shady, full of box-bordered paths, and lined with long grape-covered arbors with seats under them.

There were greenhouses, too, but they are all broken now.

There was some legal trouble, I believe, something about the heirs and coheirs; anyhow, the place has been empty for years.

That spoils my ghostliness, I am afraid, but don't care - there is something strange about the house - I can feel it.

I even said so to John one moonlight evening but he said what I felt was a draught, and shut the window.

I get unreasonably angry with John sometimes I'm sure I never used to be so sensitive. I think it is due to this nervous condition.

But John says if I feel so, I shall neglect proper self-control; so I take pains to control myself - before him, at least, and that makes me very tired.

I don't like our room a bit. I wanted one downstairs that opened on the piazza and had roses all over the window, and such pretty old-fashioned chintz hangings! but John would not hear of it.

He said there was only one window and not room for two beds, and no near room for him if he took another.

He is very careful and loving, and hardly lets me stir without special direction.

I have a schedule prescription for each hour in the day; he takes all care from me, and so I feel basely ungrateful not to value it more.

He said we came here solely on my account, that I was to have perfect rest and all the air I could get. "Your exercise depends on your strength, my dear," said he, "and your food somewhat on your appetite; but air you can absorb all the time. ' So we took the nursery at the top of the house.

It is a big, airy room, the whole floor nearly, with windows that look all ways, and air and sunshine galore. It was nursery first and then playroom and gymnasium, I should judge; for the windows are barred for little children, and there are rings and things in the walls.

The paint and paper look as if a boys' school had used it. It is stripped off - the paper in great patches all around the head of my bed, about as far as I can reach, and in a great place on the other side of the room low down. I never saw a worse paper in my life.

One a those sprawling flamboyant patterns committing every artistic sin.

It is dull enough to confuse the eye in following, pronounced enough to constantly irritate and provoke study, and when you follow the lame uncertain curves for a little distance they suddenly commit suicide - plunge off at outrageous angles, destroy themselves in unheard of contradictions.

The color is repellent, almost revolting; a smouldering unclean yellow, strangely faded by the slow-turning sunlight.

It is a dull yet lurid orange in some places, a sickly sulphur tint in others.

No wonder the children hated it! I should hate it myself if I had to live in this room long.

There comes John, and I must put this away - he hates to have me write a word.

 

We have been here two weeks, and I haven't felt like writing before, since that first day.

I am sitting by the window now, up in this atrocious nursery, and there is nothing to hinder my writing as much as I please, save lack of strength.

John is away all day, and even some nights when his cases are serious.

I am glad my case is not serious!

But these nervous troubles are dreadfully depressing.

John does not know how much I really suffer. He knows there is no reason to suffer, and that satisfies him.

Of course it is only nervousness. It does weigh on me so not to do my duty in any way!

I meant to be such a help to John, such a real rest and comfort, and here I am a comparative burden already!

Nobody would believe what an effort it is to do what little I am able - to dress and entertain, and order things.

It is fortunate Mary is so good with the baby. Such a dear baby!

And yet I cannot be with him, it makes me so nervous.

I suppose John never was nervous in his life. He laughs at me so about this wall-paper!

At first he meant to repaper the room, but afterwards he said that I was letting it get the better of me, and that nothing was worse for a nervous patient than to give way to such fancies.

He said that after the wall-paper was changed it would be the heavy bedstead, and then the barred windows, and then that gate at the head of the stairs, and so on.

"You know the place is doing you good," he said, "and really, dear, I don't care to renovate the house just for a three months' rental."

"Then do let us go downstairs," I said, "there are such pretty rooms there."

Then he took me in his arms and called me a blessed little goose, and said he would go down to the cellar, if I wished, and have it whitewashed into the bargain.

But he is right enough about the beds and windows and things.

It is an airy and comfortable room as any one need wish, and, of course, I would not be so silly as to make him uncomfortable just for a whim.

I'm really getting quite fond of the big room, all but that horrid paper.

Out of one window I can see the garden, those mysterious deepshaded arbors, the riotous old-fashioned flowers, and bushes and gnarly trees.

Out of another I get a lovely view of the bay and a little private wharf belonging to the estate. There is a beautiful shaded lane that runs down there from the house. I always fancy I see people walking in these numerous paths and arbors, but John has cautioned me not to give way to fancy in the least. He says that with my imaginative power and habit of story-making, a nervous weakness like mine is sure to lead to all manner of excited fancies, and that I ought to use my will and good sense to check the tendency. So I try.

I think sometimes that if I were only well enough to write a little it would relieve the press of ideas and rest me.

But I find I get pretty tired when I try.

It is so discouraging not to have any advice and companionship about my work. When I get really well, John says we will ask Cousin Henry and Julia down for a long visit; but he says he would as soon put fireworks in my pillow-case as to let me have those stimulating people about now.

I wish I could get well faster.

But I must not think about that. This paper looks to me as if it knew what a vicious influence it had!

There is a recurrent spot where the pattern lolls like a broken neck and two bulbous eyes stare at you upside down.

I get positively angry with the impertinence of it and the everlastingness. Up and down and sideways they crawl, and those absurd, unblinking eyes are everywhere There is one place where two breaths didn't match, and the eyes go all up and down the line, one a little higher than the other.

I never saw so much expression in an inanimate thing before, and we all know how much expression they have! I used to lie awake as a child and get more entertainment and terror out of blank walls and plain furniture than most children could find in a toy-store.

I remember what a kindly wink the knobs of our big, old bureau used to have, and there was one chair that always seemed like a strong friend.

I used to feel that if any of the other things looked too fierce I could always hop into that chair and be safe.

The furniture in this room is no worse than inharmonious, however, for we had to bring it all from downstairs. I suppose when this was used as a playroom they had to take the nursery things out, and no wonder! I never saw such ravages as the children have made here.

The wall-paper, as I said before, is torn off in spots, and it sticketh closer than a brother - they must have had perseverance as well as hatred.

Then the floor is scratched and gouged and splintered, the plaster itself is dug out here and there, and this great heavy bed which is all we found in the room, looks as if it had been through the wars.

But I don't mind it a bit - only the paper.

There comes John's sister. Such a dear girl as she is, and so careful of me! I must not let her find me writing.

She is a perfect and enthusiastic housekeeper, and hopes for no better profession. I verily believe she thinks it is the writing which made me sick!

But I can write when she is out, and see her a long way off from these windows.

There is one that commands the road, a lovely shaded winding road, and one that just looks off over the country. A lovely country, too, full of great elms and velvet meadows.

This wall-paper has a kind of sub-pattern in a, different shade, a particularly irritating one, for you can only see it in certain lights, and not clearly then.

But in the places where it isn't faded and where the sun is just so - I can see a strange, provoking, formless sort of figure, that seems to skulk about behind that silly and conspicuous front design.

There's sister on the stairs!

 

Well, the Fourth of July is over! The people are all gone and I am tired out. John thought it might do me good to see a little company, so we just had mother and Nellie and the children down for a week.

Of course I didn't do a thing. Jennie sees to everything now.

But it tired me all the same.

John says if I don't pick up faster he shall send me to Weir Mitchell in the fall.

But I don't want to go there at all. I had a friend who was in his hands once, and she says he is just like John and my brother, only more so!

Besides, it is such an undertaking to go so far.

I don't feel as if it was worth while to turn my hand over for anything, and I'm getting dreadfully fretful and querulous.

I cry at nothing, and cry most of the time.

Of course I don't when John is here, or anybody else, but when I am alone.

And I am alone a good deal just now. John is kept in town very often by serious cases, and Jennie is good and lets me alone when I want her to.

So I walk a little in the garden or down that lovely lane, sit on the porch under the roses, and lie down up here a good deal.

I'm getting really fond of the room in spite of the wall-paper. Perhaps because of the wall-paper.

It dwells in my mind so!

I lie here on this great immovable bed - it is nailed down, I believe - and follow that pattern about by the hour. It is as good as gymnastics, I assure you. I start, we'll say, at the bottom, down in the corner over there where it has not been touched, and I determine for the thousandth time that I will follow that pointless pattern to some sort of a conclusion.

I know a little of the principle of design, and I know this thing was not arranged on any laws of radiation, or alternation, or repetition, or symmetry, or anything else that I ever heard of.

It is repeated, of course, by the breadths, but not otherwise.

Looked at in one way each breadth stands alone, the bloated curves and flourishes - a kind of "debased Romanesque" with delirium tremens - go waddling up and down in isolated columns of fatuity.

But, on the other hand, they connect diagonally, and the sprawling outlines run off in great slanting waves of optic horror, like a lot of wallowing seaweeds in full chase. .

The whole thing goes horizontally, too, at least it seems so, and I exhaust myself in trying to distinguish the order of its going in that direction.

They have used a horizontal breadth for a frieze, and that adds wonderfully to the confusion.

There is one end of the room where it is almost intact, and there, when the crosslights fade and the low sun shines directly upon it, I can almost fancy radiation after all - the interminable grotesques seem to form around a common center and rush off in headlong plunges of equal distraction.

It makes me tired to follow it. I will take a nap I guess.

I don't know why I should write this.

I don't want to.

I don't feel able. And I know John would think it absurd. But I must say what I feel and think in some way - it is such a relief!

But the effort is getting to be greater than the relief.

 

Half the time now I am awfully lazy, and lie down ever so much. John says I mustn't lose my strength, and has me take cod liver oil and lots of tonics and things, to say nothing of ale and wine and rare meat.

Dear John! He loves me very dearly, and hates to have me sick. I tried to have a real earnest reasonable talk with him the other day, and tell him how I wish he would let me go and make a visit to Cousin Henry and Julia.

But he said I wasn't able to go, nor able to stand it after I got there; and I did not make out a very good case for myself, for I was crying before I had finished .

It is getting to be a great effort for me to think straight. Just this nervous weakness I suppose.

And dear John gathered me up in his arms, and just carried me upstairs and laid me on the bed, and sat by me and read to me till it tired my head.

He said I was his darling and his comfort and all he had, and that I must take care of myself for his sake, and keep well.

He says no one but myself can help me out of it, that I must use my will and self-control and not let any silly fancies run away with me.

There's one comfort, the baby is well and happy, and does not have to occupy this nursery with the horrid wall-paper.

If we had not used it, that blessed child would have! What a fortunate escape! Why, I wouldn't have a child of mine, an impressionable little thing, live in such a room for worlds.

I never thought of it before, but it is lucky that John kept me here after all, I can stand it so much easier than a baby, you see.

Of course I never mention it to them any more - I am too wise, - but I keep watch of it all the same.

There are things in that paper that nobody knows but me, or ever will.

Behind that outside pattern the dim shapes get clearer every day.

It is always the same shape, only very numerous.

And it is like a woman stooping down and creeping about behind that pattern. I don't like it a bit. I wonder - I begin to think - I wish John would take me away from here!

It is so hard to talk with John about my case, because he is so wise, and because he loves me so.

But I tried it last night.

It was moonlight. The moon shines in all around just as the sun does.

I hate to see it sometimes, it creeps so slowly, and always comes in by one window or another.

John was asleep and I hated to waken him, so I kept still and watched the moonlight on that undulating wall-paper till I felt creepy.

The faint figure behind seemed to shake the pattern, just as if she wanted to get out.

I got up softly and went to feel and see if the paper did move, and when I came back John was awake.

"What is it, little girl?" he said. "Don't go walking about like that - you'll get cold."

I thought it was a good time to talk, so I told him that I really was not gaining here, and that I wished he would take me away.

"Why darling!" said he, "our lease will be up in three weeks, and I can't see how to leave before.

"The repairs are not done at home, and I cannot possibly leave town just now. Of course if you were in any danger, I could and would, but you really are better, dear, whether you can see it or not. I am a doctor, dear, and I know. You are

gaining flesh and color, your appetite is better, I feel really much easier about you."

"I don't weigh a bit more," said 1, "nor as much; and my appetite may be better in the evening when you are here, but it is worse in the morning when you are away!"

"Bless her little heart!" said he with a big hug, "she shall be as sick as she pleases! But now let's improve the shining hours by going to sleep, and talk about it in the morning!"

"And you won't go away?" I asked gloomily.

"Why, how can 1, dear? It is only three weeks more and then we will take a nice little trip of a few days while Jennie is getting the house ready. Really dear you are better!"

"Better in body perhaps-- " I began, and stopped short, for he sat up straight and looked at me with such a stern, reproachful look that I could not say another word.

"My darling," said he, "I beg of you, for my sake and for our child's sake, as well as for your own, that you will never for one instant let that idea enter your mind! There is nothing so dangerous, so fascinating, to a temperament like yours. It is a false and foolish fancy. Can you not trust me as a physician when I tell you so?"

So of course I said no more on that score, and we went to sleep before long. He thought I was asleep first, but I wasn't, and lay there for hours trying to decide whether that front pattern and the back pattern really did move together or separately.

On a pattern like this, by daylight, there is a lack of sequence, a defiance of law, that is a constant irritant to a normal mind.

The color is hideous enough, and unreliable enough, and infuriating enough, but the pattern is torturing.

You think you have mastered it, but just as you get well underway in following, it turns a back somersault and there you are. It slaps you in the face, knocks you down, and tramples upon you. It is like a bad dream.

The outside pattern is a florid arabesque, reminding one of a fungus. If you can imagine a toadstool in joints, an interminable string of toadstools, budding and sprouting in endless convolutions - why, that is something like it.

That is, sometimes!

There is one marked peculiarity about this paper, a thing nobody seems to notice but myself, and that is that it changes as the light changes.

When the sun shoots in through the east window - I always watch for that first long, straight ray - it changes so quickly that I never can quite believe it.

That is why I watch it always.

By moonlight - the moon shines in all night when there is a moon - I wouldn't know it was the same paper.

At night in any kind of light, in twilight, candle light, lamplight, and worst of all by moonlight, it becomes bars! The outside pattern I mean, and the woman behind it is as plain as can be.

I didn't realize for a long time what the thing was that showed behind, that dim sub-pattern, but now I am quite sure it is a woman.

By daylight she is subdued, quiet. I fancy it is the pattern that keeps her so still. It is so puzzling. It keeps me quiet by the hour.

I lie down ever so much now. John says it is good for me, and to sleep all I can.

Indeed he started the habit by making me lie down for an hour after each meal.

It is a very bad habit I am convinced, for you see I don't sleep.

And that cultivates deceit, for I don't tell them I'm awake - oh, no!

The fact is I am getting a little afraid of John.

He seems very queer sometimes, and even Jennie has an inexplicable look.

It strikes me occasionally, just as a scientific hypothesis, that perhaps it is the paper!

I have watched John when he did not know I was looking, and come into the room suddenly on the most innocent excuses, and I've caught him several times looking at the paper! And Jennie too. I caught Jennie with her hand on it once.

She didn't know I was in the room, and when I asked her in a quiet, a very quiet voice, with the most restrained manner possible, what she was doing with the paper - she turned around as if she had been caught stealing, and looked quite angry - asked me why I should frighten her so!

Then she said that the paper stained everything it touched, that she had found yellow smooches on all my clothes and John's, and she wished we would be more careful!

Did not that sound innocent? But I know she was studying that pattern, and I am determined that nobody shall find it out but myself!

 

Life is very much more exciting now than it used to be. You see I have something more to expect, to look forward to, to watch. I really do eat better, and am more quiet than I was.

John is so pleased to see me improve ! He laughed a little the other day, and said I seemed to be flourishing in spite of my wall-paper.

I turned it off with a laugh. I had no intention of telling him it was because of the wall-paper - he would make fun of me. He might even want to take me away.

I don't want to leave now until I have found it out. There is a week more, and I think that will be enough.

I'm feeling ever so much better! I don't sleep much at night, for it is so interesting to watch developments; but I sleep a good deal in the daytime.

In the daytime it is tiresome and perplexing.

There are always new shoots on the fungus, and new shades of yellow all over it. I cannot keep count of them, though I have tried conscientiously.

It is the strangest yellow, that wall-paper! It makes me think of all the yellow things I ever saw - not beautiful ones like buttercups, but old foul, bad yellow things.

But there is something else about that paper - the smell! I noticed it the moment we came into the room, but with so much air and sun it was not bad. Now we have had a week of fog and rain, and whether the windows are open or not, the smell is here.

It creeps all over the house.

I find it hovering in the dining-room, skulking in the parlor, hiding in the hall, lying in wait for me on the stairs.

It gets into my hair.

Even when I go to ride, if I turn my head suddenly and surprise it - there is that smell!

Such a peculiar odor, too! I have spent hours in trying to analyze it, to find what it smelled like.

It is not bad - at first, and very gentle, but quite the subtlest, most enduring odor I ever met.

In this damp weather it is awful, I wake up in the night and find it hanging over me.

It used to disturb me at first. I thought seriously of burning the house - to reach the smell.

But now I am used to it. The only thing I can think of that it is like is the color of the paper! A yellow smell.

There is a very funny mark on this wall, low down, near the mopboard. A streak that runs round the room. It goes behind every piece of furniture, except the bed, a long, straight, even smooch, as if it had been rubbed over and over.

I wonder how it was done and who did it, and what they did it for. Round and round and round - round and round and round - it makes me dizzy !

I really have discovered something at last.

Through watching so much at night, when it changes so, I have finally found out.

The front pattern does move - and no wonder! The woman behind shakes it!

Sometimes I think there are a great many women behind, and sometimes only one, and she crawls around fast, and her crawling shakes it all

over.

Then in the very bright spots she keeps still, and in the very shady spots she just takes hold of the bars and shakes them hard.

And she is all the time trying to climb through. But nobody could climb through that pattern - it strangles so; I think that is why it has so many heads.

They get through, and then the pattern strangles them off and turns them upside down, and makes their eyes white!

If those heads were covered or taken off it would not be half so bad.

 

I think that woman gets out in the daytime!

And I'll tell you why - privately - I've seen her!

I can see her out of every one of my windows!

It is the same woman, I know, for she is always creeping, and most women do not creep by daylight.

I see her on that long road under the trees, creeping along, and when a carriage comes she

hides under the blackberry vines.

I don't blame her a bit. It must be very humiliating to be caught creeping by daylight!

I always lock the door when I creep by daylight. I can't do it at night, for I know John would suspect something at once.

And John is so queer now, that I don't want to irritate him. I wish he would take another room! Besides, I don't want anybody to get that woman out at night but myself.

I often wonder if I could see her out of all the windows at once.

But, turn as fast as I can, I can only see out of one at one time.

And though I always see her, she may be able to creep faster than I can turn! I have watched her sometimes away off in the open country, creeping as fast as a cloud shadow in a high wind.

If only that top pattern could be gotten off from the under one! I mean to try it, little by little.

I have found out another funny thing, but I shan't tell it this time! It does not do to trust people too much.

There are only two more days to get this paper off, and I believe John is beginning to notice. I don't like the look in his eyes.

And I heard him ask Jennie a lot of professional questions about me. She had a very good report to give.

She said I slept a good deal in the daytime.

John knows I don't sleep very well at night, for all I'm so quiet!

He asked me all sorts of questions, too, and pretended to be very loving and kind.

As if I couldn't see through him!

Still, I don't wonder he acts so, sleeping under this paper for three months.

It only interests me, but I feel sure John and Jennie are secretly affected by it.

 

Hurrah! This is the last day, but it is enough. John to stay in town over night, and won't be out until this evening.

Jennie wanted to sleep with me - the sly thing! but I told her I should undoubtedly rest better for a night all alone.

That was clever, for really I wasn't alone a bit! As soon as it was moonlight and that poor thing began to crawl and shake the pattern, I got up and ran to help her.

I pulled and she shook, I shook and she pulled, and before morning we had peeled off yards of that paper.

A strip about as high as my head and half around the room.

And then when the sun came and that awful pattern began to laugh at me, I declared I would finish it to-day!

We go away to-morrow, and they are moving all my furniture down again to leave things as they were before.

Jennie looked at the wall in amazement, but I told her merrily that I did it out of pure spite at the vicious thing.

She laughed and said she wouldn't mind doing it herself, but I must not get tired.

How she betrayed herself that time!

But I am here, and no person touches this paper but Me - not alive!

She tried to get me out of the room - it was too patent! But I said it was so quiet and empty and clean now that I believed I would lie down again and sleep all I could; and not to wake me even for dinner - I would call when I woke.

So now she is gone, and the servants are gone, and the things are gone, and there is nothing left but that great bedstead nailed down, with the canvas mattress we found on it.

We shall sleep downstairs to-night, and take the boat home to-morrow.

I quite enjoy the room, now it is bare again.

How those children did tear about here!

This bedstead is fairly gnawed!

But I must get to work.

I have locked the door and thrown the key down into the front path.

I don't want to go out, and I don't want to have anybody come in, till John comes.

I want to astonish him.

I've got a rope up here that even Jennie did not find. If that woman does get out, and tries to get away, I can tie her!

But I forgot I could not reach far without anything to stand on!

This bed will not move!

I tried to lift and push it until I was lame, and then I got so angry I bit off a little piece at one corner - but it hurt my teeth.

Then I peeled off all the paper I could reach standing on the floor. It sticks horribly and the pattern just enjoys it! All those strangled heads and bulbous eyes and waddling fungus growths just shriek with derision!

I am getting angry enough to do something desperate. To jump out of the window would be admirable exercise, but the bars are too strong even to try.

Besides I wouldn't do it. Of course not. I know

well enough that a step like that is improper and might be misconstrued.

I don't like to look out of the windows even - there are so many of those creeping women, and they creep so fast.

I wonder if they all come out of that wall-paper as I did?

But I am securely fastened now by my well-hidden rope - you don't get me out in the road there !

I suppose I shall have to get back behind the pattern when it comes night, and that is hard!

It is so pleasant to be out in this great room and creep around as I please!

I don't want to go outside. I won't, even if Jennie asks me to.

For outside you have to creep on the ground, and everything is green instead of yellow.

But here I can creep smoothly on the floor, and my shoulder just fits in that long smooch around the wall, so I cannot lose my way.

Why there's John at the door!

It is no use, young man, you can't open it!

How he does call and pound!

Now he's crying for an axe.

It would be a shame to break down that beautiful door!

"John dear!" said I in the gentlest voice, "the key is down by the front steps, under a plantain leaf!"

That silenced him for a few moments.

Then he said - very quietly indeed, "Open the door, my darling!"

"I can't," said I. "The key is down by the front door under a plantain leaf!"

And then I said it again, several times, very gently and slowly, and said it so often that he had to go and see, and he got it of course, and came in. He stopped short by the door.

"What is the matter?" he cried. "For God's sake, what are you doing!"

I kept on creeping just the same, but I looked at him over my shoulder.

"I've got out at last," said I, "in spite of you and Jane. And I've pulled off most of the paper, so you can't put me back!"

Now why should that man have fainted? But he did, and right across my path by the wall, so that I had to creep over him every time!

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good story

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i agree

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I read this story back when I was school, and multiple times even then. I had near forgotten all about it and was more than delighted to see it on this sight. This is a wonderful story and I reccomend it to anyone.

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I loved it; you have to look at the comparison of her developing obsession w/ the wall paper and what is really happening in her life. she starts to see a woman trapt in the wall paper representing her own "imprisonment" and when she rips the paper off of the walls, she becomes free as well as the woman "trapt within the paper"

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Creepy...

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i just read this story for english. it was a fascinating story, the story of a woman trapped in a yellowing cage by her "i know everything" husband. I felt that at the end, he saw the harm he had put her through. Has anyone thought the room might be a mental institution? A student commented that he thought it was...just inquiring

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This is a story set in a patriarchal society, that treated women, as if they were children. The so called rest period, never helped any woman back then. She was in a prison and her husband kept insisting that she stay there. She was even kept away from her child. This is a very typical social way of taking care of the so called emotionally fragile woman. It does make a person think. Interesting Read.

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She just had a baby, shes anxious, depressed, and it was natural back then for her to be treated like this. I loved the story, and I loved the underlying theme of her being trapped inside the wallpaper, the woman behind bars. When you go back and read it again from this perspective, you notice details that this may very well be a private asylum. She cant have the room downstairs, the bed is nailed down, there are ring in the walls and plaster missing (they used to be chained to the walls 24/7)...

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I liked the story and the message behind it; however, I feel that it was poorly written... I mean, I couldve written a story with that amount of skill. Other then that, I believe that it had a good plot, and a nice trancendence from just "depressed" (trapt) to literally insane by the enclosure. alright read.

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I agree with the quality of writing - I could probaly re-write it ot make it more mentaly palatable - but the story itself is so creepy, and origonal that i think, a whole - its a really good story

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i love this story. I think it is a wonderful piece about post-pardom depression and how they use to deal with it back in the early 1900s. Back then, when someone one depressed they locked them up or told them they were fine. i love the gradual desent of insanity as the story goes on. Defenitly read.

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oh this story make me to think that women s unknown life! its a good story but the ending should be more detailed i think! this kind of endingsss make me crazyyy! from TURKISH REPUBLIC OF NORTHERN CYPRUS

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I also was given this story to read for English. i thought it was a very interesting story, containing lots of hidden meanings and messages. Though i couldnt decide on how it ended, my interpretation was that she killed herself, (hense the husband fainting etc.) What to you think? x

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I have just finished reading the story, and my mind seems to be spinning. Im blown away by the detail and personification of the wall paper as it is compared to her mental illness growing as the paper comes off. This story will definitely stir your mental state and make you wonder exactly what is going in inside the world of a person of such mental unstableness.

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I just read this today for an English class also and was very impressed with it. It has, as was mentioned, a very Poe-esque feel to it, and also some strong comments on both feminism and the treatment of the mentally unstable. It may interest some to know that the author herself suffered a nervous breakdown, and spent a time in a sanitarium run by Dr. Weir Mitchell, who is mentioned by name in the story. His method of treatment was complete isolation and lack of stimulus, and she felt it nearly drove her mad (or more than she had been).

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Try reading about the Authors life, it may actually help you to understand the text. The story definately has autobiographical elements and I find that the more I understand a text, the more I enjoy it

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My comment is by far different than any of the above. I, like many other readers, have read this short story in an English class. Being a Math and Computer Science Major at the time, investigating short stories was not my forte, but this particular story changed my life. This story is about a woman trapped in a time period of female oppression. Her husband was a tyrant who abused her emotionally by keeping her isolated from the freedoms of human enlightenment by essentially taking everything away from her, which ultimately made her crazy. As I read this story 5 years ago, I saw myself as that woman. My husband trapped me in our dilapidated home, excluding me from friends, family including our 4 children, along with physical, emotional and sexual abuse. After reading this story, I found courage to change my family’s circumstances. I left him. Now, five years later, I live 600 miles away from him. My daughters (age 14 and 12) have recently come forth to tell me he has been sexually abusing them during their summer visits for the past two years. When the abuse went to the authorities, he blew his head off with a shot gun. I love this story and will never forget it.

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The story did not make sense at all. First of all I HATED IT, SO BORING TO READ.I would not recomend anyone else to read it they wil just be board out of their minds. I had to read it for skool so it was NOT my DECISION.

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For those of you that disliked the story, maybe its not on your level. You need to think "outside of the box". This story was very interesting. You could almost paint a picture in your mind of the events that took place. You cant just hate something due to lack of understanding. You will never get far in life with that type of mentality. Then again everyone is entilted to their own opinion. So, Ill try to relate. Yes, Dr. Suess writes some very good books, my kids enjoy them. Is that more on your level?

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Ok. The story was fascinating....but I sounds like she was trying to use Charlotte Brontes voice instead of her own natural writers voice. I say this because her tone often changed throughout the story- the slang did not match. However it is good to write in a voice that matches the story other that your own. As long as you are consistant. The ending bothered me. I dont like opened endings. I think that she killed herself though. Why else the mention of the rope? And she also mentioned jumping out of the window. She should have thrown her husband out of the window. He only kept her locked up so he could screw around.It was fascinating to walk through the mind of perhaps a scizophrenic? (spelling?) Fascinating story

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I had to read the story for English and I found it very boring. I dont know why they pick these lame stories. It took me forever to read it. I kept falling asleep every other paragraph.Sorry.

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An unsettling, chilling story. If you enjoyed it, you might also like “The Rats In The Walls” by H.P. Lovecraft and “The Horla” by Guy de Maupassant. It’s quite disturbing to watch her gradually losing grip on her sanity and getting more paranoid towards the end of the story as she suffers from post-natal depression. The woman trapped behind the ‘bars’ of the pattern on the wall paper seems to be the narrator’s disturbed mental projection of herself and how she is trapped into her daily routine by her well meaning husband. Because he represses her ability to express her own thoughts, she does so in another way – by taking on the personality of an alter-ego (the lady behind the wall paper) and speaking through her. You can see this as it happens at the end of page 15. One minute she has the rope so that she can tie up the lady in the wall, then next she has used it to tie herself up – meaning that she has “become” the lady in the wall. Then she stops referring to her husband as John and starts calling him ‘young man’ and finally in the last paragraph of page 16 she refers to herself in the third person (“in spite of you and Jane”). Finally, she completely loses the plot and is reduced to creeping around the room over and over again. Scary and disturbing stuff, but a great and thought provoking read.

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I loved this story! It was amazing how seamlessly the delve into madness was portrayed. I will have to re-read it to decide for myself how the story really ends. But I can say, I too believe that she was suffering from post-mortem depression, and it escalated into something far greater.

I should also say that I see no evil intent in her husband. A man would naturally think, if a baby depresses you, keep away from the baby for a while. If being around friends depresses you, ask them to stay away. If working makes you tired, dont work. Yes she says in the story that she wants these things, but it is clearly demonstrated in the story how she feels once she has had them. I believe he was simply trying to be strong for her. He was taking advice from the best doctors of the era, and while it may not have been good advice, I still hold that his actions were without malice or real will to dominate.
-Dianna

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I really like the story. Im reading it for English. I was confused at first but as the story was developing I began to noice the correlation between her behavior and the post-partum depression that so many women in the society today suffer from. The ending is a sad one. It just broke myheart. GOod reading though

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For those of you who thought that the story was poorly written,now is the time to get out of english class, because you nothing about it. The story was fascinating and expertly written. The author was paralelling her own life, of which she had a nervous breakdown and eventually committed suicide. This story was what changed the way doctors in the early nineteen hundreds handled depression and post partum depression.

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The Yellow Walpaper is the ideal short story to use for outlining the main Gothic and Psyco-analytical critical perspectives. It is also seen as symbol of the patriarchal society (the rule of the male). Yet the story is far from original as the idea of the "mad woman in the attic" was originally taken fron Charlotte Brontes novel Jane Eyre; the character of Burtha is Mr Rochesters 1st wife, who he is forced by his father and brother to marry to obtain a fortune, eventually Burtha sets fire to thornfield hall and jumps of the roof. As you can see the main themes are kept strikeingly similar. There is actually a whole genre inspired by Brontes novel. I also recommend Jane Eyre there is far more then just madness in it. Annother good short-story is Edgar Allen Poes The red Room.

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This story creeped me out kind of. When I think of her Creeping, i think of her crawling on the floor rubbing her shoulder against the wall, the way the kid in The Grudge walks down the steps. I have troubles sleeping at night now.

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What things do you pull and put away daily? Aside from the big picture of her dynamic here, these obsessive activities are what we all live for. One that doesnt connect to this story in any way is in denial of the forces that drive them. For "I" it may be writing and wallpaper, for you?

"Whichever it is, and tonics, and journeys, and air, and exercise..."

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I really like this, At first It really had me thinking, So i re-read it again, Then everything finally clicked, She def. went mad, I think it was from her husband & how he treated her, But is she krazy? She put her self, as the lady in the wall, Well if im not mistaken, Doesnt everyone sorta compare something too our life, If ur constintly examinen some thing, Of course your going to notice every single detail.. Idk, She was just depressed.. But did she kill herself in the end i havent come too figure that out, I mean yeah the rope thing makes sence, & her husband faiting..

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Wow. I am stunned by the lack of intelligence demonstrated by those of you who have previously written comments. Please do not contribute your thoughts to a scholarly discussion if you do not have a valid comment to make, if you clearly can not appreciate literature at its finest and if you do not know how to spell bored, original or recommend. This was an outstanding short story which effectively explored a womans descent into madness, concluding with her suicide by hanging. It was deftly handled and had clearly entailed much research into the genre and archetypes such as Karl Jungs fear of the other. Does anyone have any comments on the mother daughter relationship as portrayed within this story?

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