Contemporary story
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Old Nothing

"When do you suppose they'll stop?" asked the grey haired man by the window.

"Oh, sooner or later I suppose," replied the man getting a haircut. It had been sometime since his last one.

"It's amazing how he's holding up," answered the first man.

"It's hardly amazing. What choice does he have?" They all considered this.

"I suppose you're right."

"Of course I am."

The barber, who generally avoided conversation, now spoke up.

"A good client, that man was."

"What?" answered the man getting the haircut.

"A good client. Got his hair cut every two weeks. Never complained. Always gave a fair tip."

No one said anything.

"Do you suppose he has family?" asked the man by the window.

"No. He's far too young to have a family," answered the barber.

"I don't mean children, I mean any sort of family at all."

"I wouldn't know," answered the barber.

The man at the window refilled his coffee cup from the back room and then returned to the window.

"Like an animal really."

"Who?" said the man, now getting his sides thinned. He wondered whether a man with as little hair as himself should bother with a haircut at all.

"All of them I suppose. The beaters and the beatees".

"That's a funny way of saying it," said the barber.

"Of saying what?"

"Of referring to the victim as the beatee."

"Well that's what he is, isn't he."

No one said anything.

"The thing is?" said the man at the window before he paused, "the thing is, you can never really tell."

"Tell what?" replied the man who was now getting his neck lathered up for his shave.

"Whether he deserved it or not." Silence. "Although I suppose you could say that no one deserves it." He stared at his coffee.

"It's sad but true," said the barber.

"What is?"

"That things don't always happen for a reason." For a moment he stopped shaving the man before him and stared out the window. The foam from the blade he was holding slid down onto his forearm and then fell to his shoe. "Damn it," he muttered.

"It's only cream," said the man at the window.

"Damn it anyways." He walked to the end of the room and wiped his shoe off with a towel.

"That's the wrong way to look at it," said the man getting a haircut, "All people sin and so all people deserve to be sinned against. The beatee deserved it in one way or another. To say otherwise is to claim he's perfect."

No one said anything. The sun peaked through the clouds.

"Do you think the heat will slow them down?" asked the man by the window.

"Slow who down?"

"The beaters, of course."

"I think so," answered the barber. "The heat tends to make people tired. The sun wears everything out."

Another man entered the barber shop. The bell on the door gave a slight jingle.

"I work by appointment only," said the barber.

"But I need a haircut," answered the man, "I can wait."

The man by the window laughed. "There's a place down the street that needs the business. Go there."

The man quietly left.

"Have you guys read the paper today?" asked the man getting his hair thinned in the back.

"A little," they both answered.

With this, the man drinking coffee gathered his belongings and wished them both good night. He stepped out the door and turned in the direction of the beating even though his destination was the other way. He approached them from the left and stopped to ask for directions to the nearest diner. The beatee, now covered in blood, raised his head and pointed in the direction of Hastings, a well known diner.

"I'm actually looking for something a little more classy, if you know what I mean."

They all stopped again. The beatee couldn't raise his head. One of the beaters offered, "Two block's further is Trent's. Good fish."

"Thank you. " The man finished his coffee and walked up the road.

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Comments

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You have an honest and acute ear for dialogue in this story--that is a good trait to have. Just one small thing: if you are trying to indicate a pause or silence--ie. "no one said anything," it is sometimes more natural and effective to take the time for description...then you can proceed with the dialogue again and the pause in the dialogue is "felt" instead of merely instructed. Just a thought to consider.

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The dialogue was so amazingly real in this story, I felt that I could have been in that barber shop watching the "beater and the beatee", but the best part is the ending, which demonstrates a great understanding of humankind and the absolute stupidity of violence.

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good stuff

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Good story - simple but effective. For the record, I disagree with the comment that suggests descriptions during pauses. Good advice if youre giving an elementry writing class but here the silences are not meant to be subtly felt - they are gaping holes in the conversation and the authors chosen method of portraying this works very nicely.

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I enjoyed the story. Well set by means of a provoking Point. One consideration though – Add a little more color. The portrait painted seems a tad indistinct. (Ex.) Possibly, personalize this story by furnishing character names; helps the general population in developing the narrative just a bit further.

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This is a riveting piece which so eloquently exhibits the complete deterioration of any sort of community in this postmodern nightmare that mankind has created, and now, must endure. -Brandon Moritz

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The dialogue is excellent and the theme is illustrated beautifully. My only complaint is that the description is a bit weak. Not that there needs to be more of it, but that which already exists is somewhat repetitive. But otherwise excellent.

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The most depressing thing in the world is discovering brilliance amidst a heap of awkward rubbish. Cameron Porsandeh’s “Old Nothing” (a short story centered on three men in a barbershop) is a prime example. Dialogue is the driving force that sets the scene and describes the events, and it is clear that without clever dialogue, Porsandeh’s writing falls apart. Even the lines that compliment the dialogue are crude and ill formed. They seem to be trying too hard to fill in all the details at once without using any large or interesting words. The men watch from their normal positions as a younger man across the street receives a savage beating from a group of “beaters.” The old men are almost sadistic in their cynical lack of interest for the man’s well being. Although it is never brought up that they themselves could not interfere with the beating, they choose to philosophize about it instead of calling the police. The most interesting and well-written portion comes just before the page break, where the majority of the philosophizing occurs. The men’s banter is clever and highly intelligent, and seems almost out of place within the confines of the surrounding narrative.

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This story has a great deal of potential. The themes it suggests, of banality, violence, indifference, "post-modernity" etc, are all worth exploring. I wish, though, that the quick dialogue could have been spaced out a bit more so that I could digest these complex themes as I read. I also would have preferred that the three characters be a little more pronounced, either through their voice or by using nicknames (barber, baldie and windowman or something like this). There were a few times that it took me a second to figure out who was speaking, which interrupted the dialogue too much. Altogether, very well done.

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A good read, but I dont understand what it was about... a murder? the bit which says:
" "Do you suppose he has family?" asked the man by the window.
"No. Hes far too young to have a family," answered the barber.
"I dont mean children, I mean any sort of family at all."
"I wouldnt know," answered the barber. "

refers to a murder

Im starting to feel parniod becuase of this story... stop wacthing me!

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this story is not grabbing it didnt grab my attention it could be better i dont think they have tried hard enough but u could do beter if you think more and set your mind to it not a great peice of work
kara x-x

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This stroy has two main characters in it.This short story would be suitable around the ages of 10-12 years because the writing is easy to read,and its not that detailed.So it will not be that difficult.

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Ugh...this story seemed to have no real plot. I mean I could understand it, but who was your audience? What were you trying to say with this piece? AND WHO IN THE WORLD WOULD OF BEEN BEATEN AND THEN BE POLITE ENOUGH TO POINT OUT A DINER??? Thats not very realistic on your part. The dialogue was all screwed up because you didnt make it definite who was talking, except to say the same thing over and over. On top of that you kept changing what the guy was having done, getting his hair cut, getting the sides thinned, getting a shave...then you say he has little hair. What kind of person gets all this done with little amounts of hair? Seriously now...and the beaters I doubt would be polite to some random person either.

Overall I didnt like the story, I mean it has the potential to grow into something but only with a LOT of work. I dont mean to offend you or anything but I dont see what others see in it at all. Im sorry.

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Clever social commentary. Violence for the sake of violence, indifference to suffering... post-modern surrealism as portrayed by the absurdity of the final exchanges between beater/beatee and man from the barbers.

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Pay no attention to the people who say this story was boring or had no point. I think I see what you were going for. Its a surrealistic piece. Its a social commentary. Its not meant to be taken seriously, of course those things wouldnt happen in real life but its not real, its surreal.

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this story is a strange one. it is very simple on the surface but there is a lot of meaning that cant be seen by just reading it. its a story that you have to think about to understand and appreciate it. over all i kinda liked it.

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